Bibliography

James Rosenquist - Select Bibliography


Ashbery, John. The New Realists. New York: Sidney Janis Gallery, 1962.

G.R.S. (G.R. Swenson). "Reviews and Previews: New Names this Month." Art News 60 (February 1962): 20.

"Jarring Blend of Billboard Pieces." Life 52, no. 24 (15 June 1962).

Alloway, Lawrence. Six Painters and the Object. New York: The Solomon R. Guggenheim Museum, 1963.

Miller, Dorothy C., ed. Americans 1963. New York: The Museum of Modern Art, 1963.

Glusker, Irwin. "What Next in Art?" Horizon 5, no. 3 (January 1963): 16-25.

"Painter, James Rosenquist." Art in America 51, no. 3 (June 1963).

Rose, Barbara. "Pop Art at the Guggenheim." Art International 7, no. 5 (May 1963): 20-22.

"Young Talent USA." Art in America 51, no. 3 (June 1963): 46-49.

Painting and Sculpture of a Decade: 54/64. London: The Calouste Gulbenkian Foundation in association with The Tate Gallery, 1964.

Pierre, José, Edward F. Fry, and Édouard Jaguer. Rosenquist. Paris: Galerie Ileana Sonnabend, 1964.

"Art: At Home with Henry." Time 83, no. 8 (21 February 1964): 68-71.

Ragon, Michel. "Les États-Unis Sont a la Recherche D'un Art National." La Galerie des Arts, no. 17 (June 1964): 13-14.

Solomon, Alan R., et al. Amerikansk Pop-Konst. Stockholm: Moderna Museet, 1964.

Atkinson, Tracy. Pop Art and the American Tradition. Milwaukee: Milwaukee Art Center, 1965.

Carey, Martin. The New American Realism. Worcester: Worcester Art Museum, 1965.

Duhe, Camille. "The Chandelier is a Floor Plan." New York Herald Tribune, 31 January 1965.

"Art Tour: The Galleries-A Critical Guide." New York Herald Tribune, 24 April 1965.

Shepard, Richard F. "Painting Needs Hall, Not Wall." The New York Times, 13 May 1965.

"Art: Pop, Bing-Bang Landscapes." Time 85, no. 22 (28 May 1965): 80.

Lippard, Lucy. "New York Letter." Art International 9, no. 5 (June 1965): 51-55.

"Rosenquist's 'F-111' at Jewish Museum." The New York Times, 12 June 1965.

"You Bought It Now Live with It." Life 59, no. 3 (16 July 1965): 56-61.

Absalon. "30 meter lângt etiskt problem." Dagens Nyheter, 29 September 1965.

"USA-bombplan pâ 25 m lângt konstverk." Svenska Dagbladet, 29 September 1965.

Billeter, Erika. "Pop im Examen." Speculum Artis, no. 9 (September 1965): 25-27.

Swenson, Gene R. "The F-111." Partisan Review 32 (Fall 1965): 589-601.

Tillum, Sidney. "Further Observations on the Pop Phenomenon: 'All Revolutions Have Their Ugly Aspects....'" Artforum 4, no. 3 (November 1965): 17-19.

Lippard, Lucy R. "Aspects of a Multiple Art." Artforum 4, no. 4 (December 1965): 41-45.

Crispolti, Enrico. La Pop Art. Milan: Fratelli Fabbri Editori, 1966.

Kramer, Jane. "Profiles: Man Who is Happening Now." The New Yorker 42, no. 40 (26 November 1966): 64-65?, 120.

Kramer, Hilton. "Art: United States; Exhibition Dominates São Paulo's 9th Bienal." The New York Times, 20 September 1967, 42L.

Seitz, William C., and Lloyd Goodrich. São Paulo 9, Environment U.S.A.: 1957-1967. Washington, D.C.: Published for the National Collection of Fine Arts by the Smithsonian Institution Press, 1967.

Smith, Brydon. James Rosenquist. Ottawa: The National Gallery of Canada, 1968.

Robillard, Yves. "Rosenquist: je peins des choses anonymes." La Presse (Montreal), 27 January 1969, 36.

Glueck, Grace. "Not One Boring Picture." The New York Times, 28 January 1968, 33D.

Ayre, Robert. "Pictures from Life." The Montreal Star, 3 February 1968, 9.

Sheppard, Eugenia. "Guests Party Minus Painting." The Dallas Morning News, 15 February 1968, 5C.

Kramer, Hilton. "Art: A New Hangar for Rosenquist's Jet-Pop F-111." The New York Times, 17 February 1968.

Canaday, John. "F-111." The New York Times, 25 February 1968.

Canaday, John. "The Day the House Caught Fire." The New York Times, 17 March 1968.

Gold, Barbara. "Art Notes: From Billboards to Museums." The Baltimore Sun, 17 March 1968.

Giuliano, Charles. "Jim Rosenquist." Avatar, no. 1 (29 March 1968).

Geldzahler, Henry. "James Rosenquist's F-111." The Metropolitan Museum of Art Bulletin 26, no. 7 (March 1968): 277-81.

Scull, Robert C. "Re the F-111: A Collector's Notes." The Metropolitan Museum of Art Bulletin 26, no. 7 (March 1968): 282-83.

Kozloff, Max. "Art." The Nation 206 (29 April 1968): 578-80.

Vigeant, André. "James Rosenquist: temps-espace-mouvement." Vie des Arts, no. 51 (Summer 1968): 58-61.

Canaday, John. "'F-111' and the Day the House Caught Fire." In Culture Gulch, Notes on Art and Its Public in the 1960's. New York: Farrar, Straus and Giroux, 1969.

Mallé, Luigi. New-Dada e Pop Art Newyorkesi. Torino: Galleria Civica d'Arte Moderna, 1969.

Russell, John, and Suzi Gablik. Pop Art Redefined. New York: Praeger Publishers, 1969.

Canaday, John. "James Rosenquist." The New York Times, 5 April 1969.

Alloway, Lawrence. "Art." The Nation, 5 May 1969, 581-82.

Schjeldahl, Peter. "A 'Trip' with Rosenquist." The New York Times, 31 May 1970.

Perrault, John. "Art: Here & There." The Village Voice, 4 June 1970: 17-19.

"Media and Muse." MD 15, no. 7 (July 1971): 124-30.

Siegel, Jeanne. "An Interview with James Rosenquist." Artforum 10, no. 10 (June 1972): 30-34.

Tucker, Marcia. James Rosenquist. New York: Whitney Museum of American Art, 1972.

Weiss, Evelyn. James Rosenquist: Gemälde-Räume-Graphik. Cologne: Wallraf-Richartz-Museums, 1972.

Siegel, Jeanne. "An Interview with James Rosenquist." Artforum 10, no. 10 (June 1972): 30-34.

Alloway, Lawrence. "Derealized Epic." Artforum 10, no. 10 (June 1972): 35-41.

Schjeldahl, Peter. "The Rosenquist Synthesis." Art in America 60, no. 2 (March-April, 1972): 56-61.

Canaday, John. "The Big Hic Jacet Retrospective." The New York Times, 23 April 1972.

Davis, Douglas. "Art: The Biggest Pop." Newsweek 79, no. 17 (24 April 1972): 80-81.

"Art Mailbag: James Rosenquist Replies." The New York Times, 14 May 1972: 24D.

Battcock, Gregory. "James Rosenquist." Arts Magazine 46, no. 7 (May 1972): 49-52.

Kelly, David. "The Arts: Unusual Images Jar Viewers at James Rosenquist Show." The Sunday Oregonian, 28 October 1973: 16.

Burnham, Sophy. The Art Crowd. New York: David McKay Company, Inc., 1973.

Alloway, Lawrence. American Pop Art. New York: Macmillan Publishing Co., Inc., 1974.

Battcock, Gregory. "James Rosenquist." In Why Art. New York: E.P. Dutton & Co., Inc., 1977.

Daniels, Florence Margaret. Why Art? A Guide to Viewing and Understanding Contemporary Art. Chicago: Nelson Hall, 1978.

Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. New York: Penguin Books, 1981. (first published - New York: Doubleday & Company, Inc., 1980.)

Augur, Julie, et al. Castelli and His Artists/Twenty-Five Years. Aspen: Aspen Center for the Visual Arts, 1982.

Lieberman, William S. 20th Century Masters: The Thyssen-Bornemisza Collection. Washington, D. C.: International Exhibitions Foundation, 1982.

Snograss, Susan de Alba. "Rosenquist: An Interview with the Man Who Painted Flying Bacon." The Miami News, 14 June 1982: 1-2B.

Goldman, Judith. James Rosenquist. New York: Viking Penguin Inc., 1985.

Gabriel, Trip. "Rosenquist Up Close." United, February 1985: 48-61.

Price, Max. "Rosenquist Pop Works Will Be Very Big in May." The Denver Post, 21 April 1985: 19.

Bourdin, David. "Pop That Won't Go Flat." Vogue 175, no. 5 (May 1985): 78.

Clurman, Irene. "Retrospective." Rocky Mountain News (Denver), 12 May 1985: 2-3E.

Glenn, Reed. "Deep-Fried Freud." Boulder Daily Camera, 26 May 1985.

Price, Max. "'Visual Radio'." Daytona Beach Sunday News-Journal, 7 July 1985: 11F.

Johnson, Patricia. "Rosenquist's Billboard-Size Works Are Beautifully Rewarding." Houston Chronicle, 31 August 1985.

"Giant Artist, Giant Art in the City Used to Big." Art-Talk (Scottsdale, Arizona), August/September 1985: 30.

Heartney, Eleanor. "The Art of Anythingness." Minnesota 85, no. 4 (March/April 1986): 6-11.

Heartney, Eleanor. "Rosenquist Revisited." Artnews 85, no. 6 (Summer 1986): 98-103.

Russell, John. "Art: James Rosenquist in Retrospective." The New York Times, 27 June 1986.

McGill, Douglas C. "Pop Artist Rearranges Modern Life." Sarasota Herald Times, 29 June 1986: 1G, 4G.

Sozanski, Edward J. "A Superstar Pop Artist 25 Years Later." Philadelphia Inquirer, 13 July 1986.

Spitainick, Lou. "Billboards Give Rosenquist His Cue." New Haven Register, 10 August 1986.

Hughes, Robert. "Memories Scaled and Scrambled: In New York City, a Survey of James Rosenquist." Time 128, no. 6 (11 August 1986): 69.

Graff, Roberta. "Lots of Noise at the Whitney." South Shore Record (Hewlett, New York), 21 August 1986.

Tourigny, Maurice. "Rosenquist: Le peintre a ses raisons..." Le Devoir, 6 September 1986: C7.

Reif, Rita. "Scull's Art to Be Sold at Auction." The New York Times, 9 September 1986.

Richard, Paul. "James Rosenquist's Dreamy Landmarks in Time." Washington Post (D.C.), 23 October 1986: C1-C2.

Allen, Jane Addams. "'Pop' Prince Rosenquist Looks Ahead." The Washington Times, 24 October 1986: 1B, 9B.

Schwabsky, Barry. "James Rosenquist at the Whitney Museum." Artscribe International, no. 60 (November-December 1986): 77-78.

Contemporary Art from the Estate of the Late Robert C. Scull. New York: Sotheby's, 1986.

Reif, Rita. "Rosenquist Painting Sells for Record Price." The New York Times, 12 November 1986: 28C.

Reif, Rita. "James Rosenquist Painting Auctioned for Record Price." The New York Times, 13 November 1986: 21Y.

Tully, Judd. "Rosenquist Work Brings $2.1 Million." The Washington Post, 13 November 1986: 13B.

Narrett, Eugene. "Rosenquist in Retrospective: Wrestling with the American Goddess." New Art Examiner 14, no. 4 (December 1986): 23-25.

Sandberg, Betsy. "James Rosenquist." Daily Freeman (Kingston, New York), 8 December 1986: 7.

Cotter, Holland. "Advertisements for a Mean Utopia." Art in America 75, no. 1 (January 1987): 82-89.

"The 'Dark Horse' of Pop." Canvas 4, no. 5 (January 1987).

Walker, Richard W. "F-111 Flies High." Artnews 86, no. 1 (January 1987): 15.

Van Siclen, Bill. "'Michelangelo of Times Square' Visits RISD." Providence Journal, 31 January 1987.

"Portrait of the Artist, 1987: Who Supports Him/Her?" Artsreview 4, no. 3 (Spring 1987): 35-36.

Christy, Duncan. "The Big Time." M, July 1989: 57-61.

Goldman, Judith. James Rosenquist: Welcome to the Water Planet and House of Fire, 1988-1989. Mount Kisco, New York: Tyler Graphics Ltd., 1989.

Lippard, Lucy R. A Different War. Seattle: Real Comet Press and Whatcom Museum of History and Art, 1989.

Adcock, Craig. James Rosenquist's Commissioned Works. Stockholm: Painters Posters, 1990.

Blau, Douglas. The Times, The Chronicle and The Observer. New York: Kent Fine Art, Inc. 1990.

Deitch, Jeffrey. The Jacobs Collection: Twentieth Century American Art. Cleveland: Jacobs Brothers Company, 1990.

DiBlasi, Debra. "Seeing/Not Seeing." SOMA (San Francisco), no. 11 (1990): 30-33.

Varnedoe, Kirk, and Adam Gopnik. High and Low: Modern Art and Popular Culture. New York: The Museum of Modern Art, 1990.

Adcock, Craig. "James Rosenquist's F-111: A Guernica for Our Times." 20/1 Art & Culture 2, no. 1 (Fall 1990).

Saff, Donald, and Craig Adcock. Rosenquist: Moscow 1961-1991. Aripeka, Florida: James Rosenquist, Inc., 1990. (a reprint of the Craig Adcock article "James Rosenquist's F-111: A Guernica for Our Times")

Adcock, Craig, et al. Rosenquist. Valencia: Insitut Valencia d'Art Modern, 1991. (a reprint of the Partisan Review interview with Gene R. Swenson)

Penxten, Stéphane. "Rosenquist: Pas si pop que ça." La Libra Belgique, 29 May 1991: 9.

Graham-Dixon, Andrew. "Art in the Promised Land." The Independent (London), 7 September 1991: 28-37.

Gladstone, Valerie. "James Rosenquist: Vikings and Vodka." Artnews 90, no. 8 (October 1991): 73-74.

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: The Vendome Press, 1991.

Schjeldahl, Peter. "Classic Pop." The Village Voice, 9 June 1992: 96.

Sierra, Rafael. "Todo es Pop, Pop es todo." El Mundo, 20 June 1992: 2-3.

Craven, Wayne. American Art: History and Culture. New York, Harry N. Abrams, Inc., Publishers, 1994.

Hoving, Thomas. Making the Mummies Dance: Inside the Metropolitan Museum of Art. New York: Simon & Schuster, Touchstone, 1994.

Brundage, Susan, ed. James Rosenquist: The Big Paintings, Thirty Years, Leo Castelli. New York: Leo Castelli Gallery in association with Rizzoli International Publications, Inc., 1994.

Fineberg, Johathan. Art Since 1940: Strategies of Being. New York: Harry N. Abrams, Inc., 1995.

James, Jamie. Pop Art. London: Phaidon Press Limited, 1996.

Hughes, Robert. American Visions: The Epic History of Art in America. New York: Alfred A. Knopf, Inc., 1997.

Leslie, Richard. Pop Art: A New Generation of Style. New York: Todtri Productions Limited, 1997.

Madoff, Steven Henry, ed. Pop Art: A Critical History. Berkeley: University of California Press, 1997.

Mayo, Marti, et al. Finders/Keepers. Houston, Contemporary Arts Museum, 1997.

Rosenblum, Robert, Judith Goldman, and Janice Yang. James Rosenquist: The Swimmer in the Econo-mist. New York: The Solomon R. Guggenheim Foundation, 1998.

Umland, Anne et al. Pop Art: Selections from The Museum of Modern Art. New York: The Museum of Modern Art, 1998.

Decker, Andrew. "Smart Money." Artnews 97, no. 9 (October 1998): 114-15.

Goldman, Judith. James Rosenquist: Paintings 1996-1999. Aspen, Colorado: Baldwin Gallery, 1999.

Weitman, Wendy. Pop Impressions Europe/USA: Prints and Multiples from the Museum of Modern Art. New York: The Museum of Modern Art, 1999.

Vogel, Carol. "Inside Art: A New Look at the Modern." The New York Times, 11 June 1999: B26.

Russel, John, et al. "James Rosenquist." (multiple articles) Parkett 58 (May 2000): 26-73.

Cotter, Holland. "A Postwar Survey, Semi-Wild at Heart." The New York Times, 29 September 2000: B27, B30.

Curiger, Bice et al. Hypermental: Rampant Reality 1950-2000, from Salvador Dalí to Jeff Koons. Zürich: Kunsthaus Zürich; Hamburg: Hamburger Kunstalle, 2000.

Jeffett, William. James Rosenquist: Paintings / James Rosenquist: Selects Dalí. St. Petersburg, Florida: Salvador Dalí Museum, 2000.

Belloli, Jay. The Universe: A Convergence of Art, Music, and Science. Pasadena, California: Armory Center for the Arts, 2001.

Jeffett, William. James Rosenquist: The Stowaway Peers Out at the Speed of Light. New York: Gagosian Gallery, 2001.

James Rosenquist: Monochromes. New York: Acquavella Contemporary Art, Inc., 2005; essay by Craig Adcock.

Walter Hopps and Sarah Bancroft. James Rosenquist: A Retrospective. The Solomon R. Guggenheim Museum, New York, 2003; essays by Walter Hopps, Julia Blaut, Ruth E. Fine, Sarah Bancroft, Chris Balsinger, Michelle Harewood, and Eugene E. Epstein.

Amy, Michael. "Painting, Working, Talking: Michael Amy Interview James Rosenquist", Art in America, February 2004: 104-109 & 143.

James Rosenquist. Haunch of Venison, London, 2006; essays by Carl Ratcliff, Scott Rothkopf, and Sarah Bancroft.

"What really, really got to me was the idea that, could I ever do anything like Michelangelo? By that I mean, how do you get from being a kid to being someone who could do the Sistine Chapel?"

-Rosenquist (2)